By Howard E. Smither
Continuing the technique of the former volumes, Smither treats the oratorio in every one language and geographical quarter via first exploring the cultural and social contexts of oratorio. He then addresses aesthetic concept and feedback, treats libretto and tune more often than not, and provides special analyses of the librettos and song of particular oratorios (thirty-one in all) which are of unique significance to the heritage of the genre.
As a synthesis of specialised literature in addition to an research of basic assets, this paintings will function either a springboard for extra examine and a vital reference for choral conductors, soloists, choral singers, and others drawn to the background of the oratorio.
Originally released 2000.
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A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries by Howard E. Smither
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