By Nicola Colecchia
Many museums, artwork exhibitions and galleries are searhing for new languages to teach the viewers their masterpieces. This essay is a technical resolution to this need.
The language proposed this is the sub-symbolic language of the neural networks, that's in response to the bottom-up method.
The merits of such procedure are as follows:
a) The which means of a piece emerges gradually from its actual, perceptive and practical facets in line with the self-generating precept of the dynamic systems;
b) the distance language of the murals is reworked right into a sequential tale. as a result within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite occurs via targeted neuroscientific standards, varied from the loose interpretations of the creative;
d) the entire narration is configured in accordance with a cluster research, suggested within the final pages of this essay.
AUTHOR OF THE ESSAY:
Nicola Colecchia, prior researcher of common Psychology at the college of Bologna, now directs Synapticart, Laboratory of artwork and technological know-how (www.synapticart.org), the place particular study on inventive and comprehension methods of paintings works (paintings, layout, installations, structure) is conducted.
Through an interdisciplinary technique in line with the self-generating precept of neural networks, he has elaborated works by way of nice artists of a long time and areas intentionally assorted from one another, for you to spot in all probability universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.
Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to reinforce the sexy strength in their masterpieces. in reality the sub-symbolic language is “automatically” produced and understood either through the artist and by means of the observer’s of the paintings since it is predicated on an in-born code , which consists of everybody’s brain and physique, unbeknown to them.
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Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia
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