By Robert M. Marovich
Marovich follows gospel track from early hymns and camp conferences throughout the nice Migration that introduced it to Chicago. In time, the song grew into the sanctified soundtrack of the city's mainline black Protestant church buildings. as well as drawing on print media and ephemera, Marovich mines hours of interviews with approximately fifty artists, ministers, and historians--as good as discussions with relations and acquaintances of earlier gospel pioneers--to get better many forgotten singers, musicians, songwriters, and leaders. He additionally examines how a scarcity of financial chance bred an entrepreneurial spirit that fueled gospel music's upward push to attractiveness and opened a gate to social mobility for a few its practitioners. As Marovich exhibits, gospel track expressed a craving for freedom from earthly pains, racial prejudice, and life's hardships. after all, it proved to be a valid too powerful and too joyous for even church partitions to hold.
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Extra info for A City Called Heaven: Chicago and the Birth of Gospel Music (Music in American Life)
A City Called Heaven: Chicago and the Birth of Gospel Music (Music in American Life) by Robert M. Marovich
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